Showing posts with label teaching. Show all posts
Showing posts with label teaching. Show all posts

09 December, 2015

Introducing the Mighty Lucky Quilting Club


Have you seen the news about the Mighty Lucky Quilting Club? The Mighty Lucky Quilting Club is the first monthly subscription club of its kind that focuses on challenging quilters with different aspects of the quilting process. 

Each month a new challenge is delivered to your inbox via PDF. The challenges are put together by twelve different quilters so you get twelve unique design skills. From piecing to quilting, from physical design to colour work... and everything in-between, you will learn something new each time. 

To take part in the Mighty Lucky Quilting Club you need to subscribe. You can sign up monthly or take on the whole year. Subscriptions are $5 per month or $50 for the year (that is US$). Think of it like a gym membership for your quilting skills.

Check out the trainers!

January - Krista Fleckenstein
February - Season Evans
March - Rossie Hutchinson
April - Alison Glass
May - Amy Gibson
July - Cheryl Arkison (That's me!)
August - Sarah Fielke
September - Jacquie Gering
October - Nicole Vogelsinger
November - Amanda Jean Nyberg
December - Carolyn Friedlander

Each designer/trainer will also be featured on a Crafty Planner podcast during their month. During the podcast they'll discuss the challenge and talk in depth about their design process with hot and producer, Sandi Hazelwood.


As quilters work through each month's challenge in the Mighty Lucky Quilting Club you'll be supported by the designer/trainers - who will provide tips and encouragement with a mid-month email. You'll be able to share your work and watch fellow quilters using the #mightylucky hashtag on Instagram. Also, there will be randomly selected giveaways in the form of fabric, books, patterns, and more!

Quilters will learn and share a new and exciting design concept each month through the MightyLucky Quilting Club, and by the end of the year, you’ll be amazed with where your new quilting skills have taken you! 

Oh, and there is a guild option too, don't forget to check that out.

21 October, 2015

What Really Counts as Improv Quilting?


After a recent Improv with Intent class a student came up to me with deep concerns. Each student did their own project, with their own inspiration and their own execution. At the end of the day all the projects on the design wall displayed a wide range of styles and approaches. My wonderful student wondered just how much of it, however, was really Improv.

She looked around the room at people who had made triangles, strip sets, cut and resewed fabric, created specific shapes. When we came together at the end of the day people it no longer looked like our warm up exercises of random piecing. So was it still Improv?

There is a belief that unless you are picking your fabric blindly, not using a ruler, or making everything wonky it doesn't count as Improv.

So not true.

That is what I, and some others, might refer to as Pure Improv. It totally encompasses the true spirit of improvised quilting. But it is far from the only way to do it.


To clarify further, Improv is...

... taking a traditional pattern and making it without measuring pieces or worrying about perfect points. This often makes it wonky.
... sewing together random bits of fabric to become bigger pieces of fabric. These can be used on their own or as part of something else.
... taking a certain cut of fabric and sewing it to another with no preplanning about what goes next to what. Free form piecing.
... changing course midway - once, twice, or thrice (or more) - because you can.
... an attitude that allows you to not freak out when something goes wrong or off track while piecing a quilt top.
... being open to the direction your quilt takes or being okay with scrapping it when you hate it.
... as much about the process as the product.




You will automatically be bringing Intention to your work. Your intention can be a shape, a colour story, an image, a feeling, a place, a word, a symbol, a time. Even with Pure Improv there is an intention. It may be to use up all your scraps or you choose a specific colour way, but that is still intention.

When using an Improv approach to your project it is perfectly fine to bring order, square up, and otherwise define the components you are making. If you don't do this at some point you are asking for a bumpy quilt with puckers. I always tell my students that there is a time to bring back the ruler and rotary cutter, but go as far as you can without it. If you want to make a flat, squared quilt with the Improv pieces then you still need to follow those basic tenets of quilting - 1/4'' seam allowances, pressing, and squaring up (or, at the very least, shaping). For many people this then makes the Improv  feel fake. Not real Improv.

So not true.

Improv is an approach, a technique that starts with simply starting. You begin without knowing what the end product will look like. You are improvising the design as you go. Exactly how you do that will vary among quilters. It varies according to the skill level of the quilter, their comfort with improvising, and the intention they are bringing to the project.





As an example. If you've never worked without a pattern or a kit, simply sewing strip sets together without planning it all out may be enough to give you heart palpitations. People want to know every single step it takes to go from a pile of fabric to a quilt top. With Improv that is impossible to do. My strip set will look different than yours than your neighbour's. Improv for each quilter is as unique as your handwriting. We develop a rhythm and style that is all our own.

Improv provides insights to each quilter. We build confidence, curiosity, and authenticity in our work. That's on top of making a quilt that is distinctly unique. At the end of the day, if you felt like you were improvising then you were, no matter what anyone else says. As a teacher I often push my students out of the comfort zone. It isn't an accident either. I want you to challenge your own perceptions of how a quilt should be made or what colours can go together or how a block gets made. I might steer you away from the literal or towards it. Heck, we could even all start with the same Intention but will execute it differently!

For my student that day I went around the room and reviewed how each student took Improv as an approach and adapted it to the Intention they had. To be honest, I'm not sure she was totally convinced. Improv is a different mind set and so many of us have been trained in black or white on piecing techniques. What I, and any improv teacher can do, is teach you the general idea and give you confidence to do your own thing.


(Top photo, as well as the second and third from the bottom, are student work from my recent workshop with Victoria Modern Quilt Guild. The rest are my own projects.)

To learn even more about Improv quilting may I suggest my Creative Live class on the subject?

16 June, 2015

Diamonds, not Squares. Plus, a new Improv Log Cabin Class


There has been a jelly roll of Doe fabric and a stack of screen prints patiently waiting their turn to be used. Every time I opened up my stash closet they taunted me, asking to be used. But I needed to clear space - mentally and physically - before I starting something new. I finally felt prepared to do just that this week.

A few hours of play and experimenting with a new shape and I'm very happy.

Diamonds. Not squares turned on their sides like a certain cereal marketing campaign of a few years back. Actual diamonds. It all comes down to the first shape you start with. Just a slight change in the angles on the corners and a whole new world opens up.



Playing with basic techniques in new ways is a wonderful way to explore improv. Log cabins are one of the oldest techniques in the quilting handbook, but that doesn't mean your log cabins quilts have to look old.

I'll be teaching Improv Log Cabin Variations at the Wonderfil Threaducation Centre next week. Come out to play, explore shapes, and dip your toes into the improv pool.

June 24
6:30-9:30 pm
Call 403-250-8262 or register here.

Even the trimmings are pretty. I have a friend who makes mixed media collage and she periodically takes my little trimmings. She's already got her eyes on these.

12 June, 2015

Lilac Lovely - Improv Curves


Not a spec of white in this quilt top! In fact, quite the opposite of low volume for me. It is so rich and saturated in its colour. I absolutely love it.

As much as I love a perfect circle, I adore improv curves. Then again, improv is my language. There is something absolutely freeing about cutting a random curve and making it work. It requires letting go of sewing expectations. Frankly, that is the best part, in my opinion.

This particular quilt top started with a stack of 20 fat quarters, a rotary cutter, and a large ruler for squaring up. It comes together much faster than you think it does.

If you are interested in learning more about this technique join me at My Sewing Room this summer. I'm scheduled to teach this a few times and would love to have you join me.

July 10 6-9 pm
August 9 1-4 pm

Call 403-252-3711 to register.



09 June, 2015

Letting Me In - Benefits of Being a Quilt Teacher


We sat laughing and secret sharing around a nondescript table in a junior high Home Ec room. Stories of siblings, child birth, and road trips. After a particularly racy story one of the ladies leaned over to me and whispered, "I hope you won't tell anyone this."

When I am invited to teach to a guild, in particular, there is something very special that happens. These are generally a group of women that know each other well, have spent many a Saturday or evening together sewing and chatting, and likely know a few secrets about each other. At best, they are there for each other when things are bad and celebrating together when things are good. At worst (and it really isn't worst) they know each other's fabric preferences and what kind of sewing will make them jumpy. Then there I am, a stranger thrust into the group.

Yes, I'm invited. Indeed, that is the reason I am there. They want to learn, to glean from the information and inspiration I can share. It is my job to be there and make sure they have a good day, with some challenges and more than a few a ha! moments.

The other people in the room are there because they chose to be there. Maybe they want to learn from me specifically? Or perhaps they sign up for every course the guild offers because they like to take classes? Sometimes they just want the day to sew and a class gets them out of the house (and away from family!)? Either way, they are taking time out of their lives to gather and sew. More than that, They are gathering together in a group that likely knows each other. Some better than others, but in a guild class the students generally know each other and I am the stranger in the room. It is a privileged position.

Conversations happen over the machines that will not happen anywhere else. Sometimes I am included in them, other times I am the observer or even the interloper. It is part of my job to judge when I am welcome in the conversation as much as it is to teach them how to make a perfect circle. And it is definitely part of my job to keep my mouth shut when we leave the room. The classroom is essentially a sacred space. Like an AA meeting, or a stitch and bitch at home, what is said there remains among the people there. As the teacher, I must respect that wholeheartedly.

As the teacher, I also see it as my role to create that special space. In a store or workshop setting where students don't necessarily know each other I like to build an atmosphere where there is chatting, sharing, laughing, and even a few secrets as we sew. If you know me or have ever taken a class with me you know that I am not one for keeping silent. So even if you don't talk, I will! It isn't about filling air time, however, it is about building trust and sharing. I want to invite you into my world so we have a shared story at the end of the day, not just some quilt blocks.

This is one of the reasons I love teaching so much. Of course I love to get people inspired and spread new techniques across the land. But it is the notion that I am invited in to a shared space and there is immediate trust that makes my job special. Knowing that people trust in me and feel so comfortable with me is a mark of success in my eyes. So no, I won't tell anyone what we said, no one at all.

13 May, 2015

Quilt Storage Solution



Forgive me for being cocky, but I have too many quilts. My husband has been saying that for years, but I'm finally cluing in. There are only so many beds in the house, so many forts to be built, so many little legs to cover. I do give away quite a few quilts too, but the supply at home continues to grow. There is just no stopping the compulsion to create.

Over the winter the spot to store the quilts became the table in the family room. It is supposed to be a table for playing games, doing puzzles, and gathering around as an alternative to the TV. We've used it as a fort or secret TV watching space as well. In truth, it's main function was to hold the precarious stack of quilts.



Nothing was functional - including the quilts themselves.

Then I discovered these racks. Long story short, I found myself with unexpected free time and a case of the grumps. So I went to Home Sense, which is a discount home wares store along the lines of TJ Maxx or Marshalls for my US readers. I went in hoping to find a little table for my son's room, but found these racks instead. I picked up the two they had to test out at home.

(See, I thought I had a genius idea for quilt racks that my husband could make, but I also wanted the quilts off the table before 2017. His business builds cabinets so he has all the tools, but not the time. We are the cobbler's kids with no shoes.)

The racks are PERFECT. Each one easily holds 10-15 quilts. I was so pleased with them that I drove across the city (something I hate doing) to another HomeSense, fingers crossed, to get another one. I'm a firm believer that instead of getting more and more storage one should have less stuff, so three will be my maximum.

As for the brand, to direct you to get your own, if so inclined, I can be of no help. They simply have 'Organise' on the label. I've done a quick search on line and can find nothing. Maybe you will have better luck. For reference, they seem to be a painted or powder coated lightweight steel.



There are currently 32 quilts on these racks.

I should address the sheer volume of quilts. As soon as your write books, have trunk shows, and teach, the quilts pile up. And you can't give them away because you need them. Not always, but enough to need them readily accessible. There will come a time when I don't need to pull out every single quilt from Sunday Morning Quilts, but for now I still need all that scrappy goodness around.

Not to mention that I'm still making, still trying new things. And we won't mention what would happen if I actually finished the quilts on my Quilts Under Construction list!

09 April, 2015

Values Plus Quilt


Values Plus
36'' x 48''

Such a fun little quilt. And the only reason it is little is because Amanda Jean talked me out of going bigger. She was right, especially considering this is a class sample. Let's face it, it is much easier to travel with a smaller quilt.

I did find myself quite addicted to making these little blocks. It was made purely from scrap strips. The only decision I made in making the strip sets was making sure that I had value contrast in the pairs. After that it was anything goes! The real fun in playing with the layout.


In the end I went with this colour focused layout. Four patches where the dark fabric was all the same colour, forming a wonky plus sign. The result is bold, colourful, and far more organized. Because the blocks are small (3 1/2'' square) finding order was important. It also makes the value contrasts pop a lot more.

This quilt is a sample for an updated Values class. We've all seen - to great effect - the values quilts based on half square triangles. For this I wanted to play with a different shape and show what can happen when the effect is a bit more subtle. Then, how we find order and design in it.


This was the first quilt I quilted using a stitch regulator. Not sure about it yet, it will take some getting used to. But no one is perfect right out of the gate! With all that pattern I went for a simple stipple in Aurifil 2600. You aren't seeing the quilting on a quilt this busy as it is.

I totally lucked out with some leftover binding. There was just enough to get this quilt done. A little bias fun to complete the quilt.

30 March, 2015

Playing With Pinwheels in Quilting - On CreativeLive


When was the last time you played? I don't mean get on the floor and play with the kids or grandkids? I don't mean kicking around the soccer ball either. No, I mean going into your fabric and making something for fun; quilting without a quilt a mind?

I'm going to venture a guess that it hasn't been lately. For all the things I start - and I do start a lot - they almost always are started with a finished quilt in mind. I'm not sewing for the sake of sewing. I don't experiment or play much. And this is so, so wrong.

That's because we learn so much when we play. Taking away the play instinct for a child isn't a good thing, we can all agree on that. So why do we think it is okay to do that for ourselves? By playing as quilters we get the chance to explore colour, construction techniques, shapes, lines, negative space, secondary designs, and our own challenges and joys. Instead of trying a new quilt pattern to experiment with just one or two of those things, just play. See what happens when you let go of the idea that everything has to be a quilt.

It is the move past this idea that everything has to be something that has to be tackled first. In this CreativeLive class, Playing with Pinwheels in Quilting, I want to help you do just that. We take a simple, common block - the Pinwheel - and turn it into so many different things. There is one basic way to do it, and then a million other ways. While I preparing for the class I had a hard time stopping. One idea begets another and another. Even while teaching the class on set I had even more ideas. 

Guess what? Playing is FUN!

Now I feel like I could take so many of the ideas from the class and turn them into quilts of their own. The blocks I made may or may not turn into a quilt as they are. I, frankly, don't care. They represent my own little quilty playground. Not to mention design opportunity. For now, they are on my design wall to remind me that play is fun, that exploring an idea or a shape is worthwhile, and that sometimes things are simply pretty.


If you have any questions about the CreativeLive class, don't hesitate to ask. And all feedback is welcome. They are new with quilting classes and constructive comments can only help. Did you know there are free previews of all the classes? 


You can also share reviews and your inspired work with the CreativeLive community. I keep up with the course pages, so please share your work (in addition to blogs and social media if you are active there).


23 March, 2015

Improv Quilting Basics - On CreativeLive


Oh, Improv!

After years of teaching improv to quilters I know firsthand that it isn't something that comes instinctively or easy to many. I also know that it isn't as difficult as many believe either. It is a technique that can be taught and learned, if you embrace it and not fight it.

My latest CreativeLive class is all about Improv Quilting Basics. I walk you through all the steps from preparing fabric to turning blocks into a quilt top and even quilting tips. So often I see improv discussions that talk about the process, but they never move beyond making a block. There is very little public discussion on how to actually turn those efforts into a quilt. That discussion is precisely the bulk of this class.

Whether you want to go with total improv, are looking for more structure, or just want to play and see what happens, you can get direction for all that from this class.

The studio students worked on two different projects in teams. You will see how they went from a pile of fabric to this small tops/start of big tops in just a few hours. The first group - Karen and Tracey - worked with some neutrals. It was a collection of solids and near solids that I put together with some fabrics from the Calligraphy challenge on Spoonflower, hosted by Uppercase Magazine. (In my head it was called the Ink quilt.) They worked from a pure improv standpoint - they cut up fabric, sewed it back together, then puzzled it to turn it into a quilt top.

Nicki and Michelle worked on a stack of low-volume fabrics (a nice follow-up to the Quilting with Low Volume Fabrics class) with pops of red. The combination was from a student in Inuvik and I'd wanted to see it in action again. In their case they built up their improv blocks and we squared them up. In the class we talk all about the tips and tricks for building improv slabs this way and considerations when putting them together. And look, they've finished what they've started too!

The whole time the students were sewing I was playing myself. You get to see that too. I show yet another way to put a quilt top together and discuss more options. Not to mention a tiny trunk show of some of my favourite improv quilts.

At the end of the day I want my students in Improv Quilting Basics to feel totally comfortable working improvisationally. That means different things to different people. But having improv in your skill set can mean so many things. It doesn't just have to mean that you make slabs or totally improvised quilt tops. It is about embracing a spirit that means you don't freak out when you run out of background fabric, or gives a you language to translate your inspiration. Improv means trusting the process.

Oh, and in case you were wondering, I let the studio students keep the work they made. I only asked that when they finished that these quilts be donated to charity.



16 March, 2015

Translating Inspiration in Quilting - on CreativeLive


Oh, the elusive inspiration. Or the overwhelming inspiration.

As quilters there is inspiration everywhere - other people's quilts, fabric stacks, a pattern jacket, books, and even the buildings, flowers, and colours around us. It is one thing to see and feel all this inspiration, it is quite another to turn it into a quilt.

As a teacher and long term quilter (coming up on 17 years now) the way to turn inspiration into a quilt is a frequently asked question. It can't, however, be answered in a FAQ section on the blog. It can be taught. Rather, the tools and steps it takes to turn inspiration into a quilt can be taught. That is precisely the point of this class on CreativeLive.

If you've taken a webinar with me or a class on intention, this is a more literal interpretation of the process. In this class I break down the steps required to go from idea to quilt. Better yet, there are tonnes of examples - from me and the studio participants. It was great to work with the ladies in the studio with me at play with their ideas. Watching the class, you get to hear and see their thought process. It feels more like a workshop session where we feed off each other as opposed to the teacher at the front of the room.

One of the examples I brought to class was all about a bridge. We have an amazing bridge here in Calgary, called The Peace Bridge. I've loved the lines of it every since it was announced. Not surprisingly, it is often photographed! During the class you can see where my thoughts went and how I played with fabric. You will also see that I never quite landed on what I want. That is totally part of the process though - translating inspiration is an iterative process. So some day soon I will revisit those blocks again and see what it needs to be.

In the meantime, don't hesitate to check out the free preview of the class on CreativeLive. This is such a treat, to see exactly what you are signing up for in this detailed first lesson. 

And speaking of bridges... Random aside from my trip to San Francisco to film the class. Totally cliche, but I walked the Golden Gate Bridge and it was really cool. Even when I got caught in a windy downpour just as I hit the other side.


12 March, 2015

Knits, the Linden Sweatshirt and Thoughts from a Beginner Sewer


If you've read this blog for a while you will remember that I've said many times before that I don't sew clothes. I'm a quilter, not a sewer.

I stand corrected.

Behold my first sweatshirt. When I told my SIL that I was sewing a sweatshirt for fun she commented that she hadn't even seen me wear a sweatshirt aside from a hoodie at the campfire. Quite true. But I picked up this dressy one from J Crew last year and fell in love. Then, at QuiltCon, I finally caved on some gorgeous Nani Iro double gauze I've been admiring for a few months online. Those two loves collided when a friend pointed out to me that they just saw a Grainline Studio's Linden sweatshirt in double gauze. Sold!

Not only was I keen to make this sweatshirt, it was actually serving as my reward. Some selfish sewing after basically 2 months straight of work. Something is clearly wrong with me.


Okay, so this pattern is rated for a beginner. While it is true there are not major technical skills required to make this, it certainly reminded me that I am indeed a beginner when it comes to garment sewing. A few Staple dresses does not make a seamstress. The last time I sewed with knits was a pair of sweatpants in junior high Home Ec.

The pattern is pretty straight forward and well illustrated. It provides a few hints and tips on sewing with knits, like what stitches and needles to use. I felt much more prepared, however, after spending some time on line searching out more tips, tricks, and guides for sewing with knits.

There were a lot of little things that flew under the radar. An experienced sewer would probably just chalk them up to common sense, but it was spots that a beginner would perhaps struggle with. For example:

- Knit is stretchy, this works to your advantage when attaching your cuffs and bands, but against you when cutting.
- When attaching the wrist cuffs, take off the table around the throat of your machine, it pretty much made it perfect for attaching the cuffs. If you don't, you are trying to manage all the material, the stretching, and a good seam allowance without catching the other side of the cuff as you sew.
- If the fabric isn't moving for you under the presser foot, you can raise it a bit.
- There are different settings required for your machine, very different ones if you are used to quilting.

I spent a lot of time trying to figure out stitches, speeds, and settings on my machine. In fact, the machine was my biggest frustration. Rather, my ability to work it with this material. With the help of a strong Campari and Soda I found the patience and the rhythm required.

It really got me thinking about beginners and the assumptions I make regarding terminology and basic skills. I write patterns and assume a certain level of knowledge. Now I realize I can't write for every audience - if I broke absolutely everything down the more experienced quilter would be driven bonkers by the detail. There is likely more of a middle ground, however. Especially when marketing to beginners. Definitely something to think about.


I love, love, love this sweatshirt. I like the fit on me. I went for a size 16 based on the pattern measurements and adjusted nothing other than the length of the neck band piece. (I found I liked the wide opening and wanted less of a gathered feel, so I added a few inches to the band). The sweatshirt is loose, almost blousy.  The bottom cuff doesn't get tight around my hips, which I prefer to the alternative. If you wanted it tighter you would just have to make the band a bit shorter. The arms are pretty much perfect for me. This will be a good layering piece as we head into spring.

The material is from Birch Organics, the Elk Grove knit line. I picked it up at a local store. Selection was limited locally to a lot of cute little prints, but I don't do cute on my clothes. So ridiculously soft, the flowers were worth it. I was paranoid about stretching it out before I finished sewing so I was super careful, then someone else commented on an Instagram photo that it wasn't very stretchy! Perhaps it was just paranoia on my part?

Now I am very excited to tackle a double gauze version. For that one I am going to lengthen it a bit so it is extra slouchy. I need to pick up a knit or a ribbing for the wrist cuffs and bottom band. Hopefully I can find something that coordinates nicely. I may switch out the neck band for a bias binding, but I haven't decided on that yet.

Look out world, I'm a sewer now.

09 March, 2015

Quilting With Low Volume Fabrics - on CreativeLive


Let's talk Low-Volume. (You can whisper if you want to, I am.)

Low volume fabrics remain trendy. You see them popping up in fabric collections, shop bundles, and in quilts. When I pitched A Month of Sundays nearly 4 years ago the term and the fabrics were just starting to emerge into quilters' consciousness. Now, you can hardly look anywhere without seeing these gorgeous fabric options.

There are so many people, however, who stop me to ask questions about just how to use them. Some people think low volume can only means black and whites, or only tone on tones, or only colours. Some people only think you can use low volume prints as backgrounds as a completely scrappy look. Some still believe that low volume only means light fabrics or that there is no contrast in a quilt made from low volume fabrics.

In both A Month of Sundays and my CreativeLive class, Quilting With Low Volume Fabrics, you can learn that all of these things are small little pigeonholes in the possibility of using low volume fabrics. By following along we learn that the principles of colour, value, scale, and texture still apply with low volume fabrics. We learn that while there are no wrong ways to use these fabrics, there are better ways to use them in order to enhance your quilt design.


In the class you can also sew along with us. I chose the famous X-Plus block as our exercise. We go through different fabric combinations to illustrate all the lessons of the class. The studio audience is learning right along with you. That means you get their insight and A Ha! moments too. It truly is a learning by doing exercise.

At the end of the class you will be very comfortable using low volume fabrics effectively in your quilts. You really can't go wrong with these fabrics. They are a great alternative to white, cream, or grey backgrounds, but they are so much more. Knowing how to pick and use them means that your options for fabrics opens up tremendously.

This was my goal in A Month of Sundays as well. But for those of you who learn by doing or watching, grab the class. Then you can hit the book for some inspiring quilt designs.

Oh, and all the Craft and Maker classes are on sale at CreativeLive until March 15. That means you can grab any of my classes for just $19.

02 March, 2015

Announcing My CreativeLive Experience


It's been a few weeks since I filmed my CreativeLive classes. It was such an intense experience prepping and filming. I wanted to deliver classes that you've not seen from me before. Some are an extension of things that I do and have done, but with more details or a different twist. Some are totally brand new. That's what made the prep so much work. Totally worth it though, I think these classes are awesome. If I may say so myself.

If you've ever met me or taken a class from me you know that I can talk. But wow, filling two straight days of airtime was tough. That means you get a lot of stories from me throughout each class, on top of my direction, tips, and lessons.


CreativeLive is a well oiled machine. They know what they are doing in filming and delivering classes. It was quite phenomenal to work with them. Commitment, enthusiasm, and professionalism. From my producers to the camera operators to the assistants who kept me in tea and my voice cracked, everyone was wonderful.

If you've not heard of CreativeLive before I think you will be very pleasantly surprised by what they have to offer. Most of their classes are first broadcast live. And when they are live they are free to watch. You can then purchase from their catalog if you want to hold on to the class. 

And the catalog is filled with some amazing classes. Their Craft and Maker section is growing, but don't hesitate to check out the Photography and Money & Life sections (my favourites) too.


Oh, make-up! I'm a mascara and lip gloss kind of girl, when I do get dressed up. So having my hair and make up did was quite the treat, if not adventure. But I had a great make-up artist who made me look just a little bit more so. Such a simple thing, but it was nice to know I didn't have to worry about my looks when being immortalized like this. Such vanity, but definitely a part of the stress. I won't lie about that. Much thanks to my best friend here at home for helping me pick my outfits.


One of the really fun things about CreativeLive is the studio audience aspect. As a quilt teacher it can be really difficult to teach without the response from students. For my classes I had 4 incredible women join me in the studio. Karen, Michelle, Nicki, and Tracey were all from the Bay Area and took time off work and their family schedules to join me in the studio. I had so much fun with them! Such enthusiasm and they really embraced what I was trying to do both in the studio and for everyone watching at home. 

The other great thing about having an audience is that all the concepts I teach get demonstrated different ways. So it isn't just my work that you see. I really find that we feed off of each other in a classroom environment, so getting to see their work helps everyone who watches.

(And that is Kris with us up there. He was a lovely director!)


Aren't these lovely? Michelle made a crane for each class we filmed. It was such a lovely feature on the set. While I didn't get a chance to take many pictures throughout, I couldn't resist snapping this pic before everything got packed up at the end. A perfect end to our time together. A perfect reminder to let your creativity take flight.

In the coming weeks I will talk more about the classes in detail, but you can still check them out now.





24 February, 2015

Upcoming Hand Applique Classes


With two heavy weeks of travel behind me I am so happy I have hand appliqué to keep me company. Long plane rides, lonely nights in a hotel room, and an overwhelming need to sew something. Applique keeps my company through all that.

If you've not embraced the power of hand appliqué (and you live in or near Calgary) you can learn the basics from me at My Sewing Room.

I chose the Park pattern from Carolyn Friedlander for the class. It allows us to get a block prepped and basted and get to the appliqué. When we are learning the appliqué we cover the basics of needle turn as well the tricks for sharp corners, smooth curves, and finishing. This block has them all. (And it looks really cool.)


Last month I was basting this block in an open house at the store. So many people commented that they liked the block but would default to a zig zag stitch to get it done. Nothing wrong with that, but I think it misses the point. Hand appliqué isn't about getting it done fast. It is about the process for sure. But it is more about slowing down to sew and, frankly, the portability. Having an on the go project with no end in sight gets us sewing anytime, anywhere. And forces the deep breathes we all need more of as we move through the day.

To register for the class call My Sewing Room at 403-252-3711 and check it out in March, April, or May.

27 November, 2014

Values Plus


We've all seen a million half square triangle (HST) Values quilts. I, for one, don't get bored of them. I think that is because no two are the same - from the fabrics to the layout. However, I wanted to try something different. I was actually prepping for my upcoming class - Values Plus. In that class students will play with values and more than just HSTs. The class is about experimenting, not just creating a HST quilt.

So I dug into my jars of strips and strings. All random fabrics, random sizes, and only paired up by value. That is, as I grabbed strips I made sure that they had a value difference. Sometimes it was subtle, sometimes it was bold. That's generally how I approach pure value work. Subtlety makes it a bit more interesting.

After sewing the strips together I picked a size to trim to. It was mostly dictated by the width of most of the pairs. So 3 1/2'' square it was! And then I kept sewing, and sewing. And trimming and trimming.

I played with a number of layouts. More of a rail fence setting? Totally random? Strips of light/dark? After a long chat with Amanda Jean I went with this final set up. I also decided to create these little groupings on colour, a four patch.

No word of lie, it wasn't until I was posting these photos here that I realized that they looked like plus signs. For my Values Plus class. Get it?

I'm such a nerd.


10 September, 2014

Great New Local Gig

My attempt to have a quieter fall has been thwarted by a few things. One, the snow that is still here! Two, a community project stealing all my weekends. And three, a full slate of teaching.

Join me at My Sewing Room for a whole slew of classes.



Slab Workshop
September 18 and 25 10am - 4pm
(If you've taken a short slab workshop from me before, this will still be a great class as you have plenty of time to sew and a lot of input from me as we put the technique into a whole quilt top.)



Values Quilts
September 23 and 30 6 - 9 pm
Full of tips and tricks for mastering value when choosing fabric, using half square triangles to play. Will also include a demo of a brand new values technique.



Beach Grass
October 14 and 21 10am - 4 pm
This is a great quilt from A Month of Sundays. Very fat quarter friendly too!



Sunday Morning
October 16 and 23 6 - 9 pm
Maybe one of the most popular quilts from Sunday Morning Quilts. We'll make blocks and assemble a top. Go low volume like the original or change it up. Watch for my new samples for other colour ideas.



Scrap Management Workshop
November 22 and 23 10am - 4pm and 11am - 5 pm
Show up with a suitcase or laundry basket or whatever filled with scraps. We'll tackled sorting, storage, and get going on your own individual quilt. Make one of the designs from Sunday Morning Quilts or be inspired by your scraps in a whole new way.

To register for any of the classes call My Sewing Room at 403-252-3711