Orange Log Cabin Variations For My Son

A certain 3 year old boy is very, very excited for this quilt. I finished the top last week and his impatience for a finished quilt may not outlast my desire to wait for a certain fabric to be released in a few weeks, a fabric I want for the back of this. (Hoping for the large scale print from Carkai.)

His impatience for the quilt is only slightly above his impatience for enough snow to go sledding. If he can't ride his bike then that is an acceptable alternative. With the first snow only arriving yesterday and days staying below freezing it is an odd limbo that is tantamount to torture. But he has both the quilt and the snow to look forward to, right?

If you want to be a really good blogger, I recommend never making quilts with orange or red in them. So damn hard to photograph! Well, at least with my skills it is. But his favourite colour is orange and so orange the quilt must be. This is was the best I can do with the shot. Oy.

My plan for quilting is either an organic grid or something all over. It's a busy quilt top, so the quilting provides texture more than anything. Just need to get that fabric and wash my floors.

The Super Awesome Coloring Book (Weekend Reads)

If you haven't heard about the colouring book trend for adults then you are probably living like a hermit with no internet or TV and never a trip to a book store. Colouring books are HUGE. There are articles about the trend and research on the stress reducing aspects. 

When it first burst out I kind of shook my head and rolled my eyes, if I'm being totally honest. They're just colouring books after all. And it isn't like anyone who is a parent hasn't sat down to colour a million times in their life already! But, I have to admit now, I'm enjoying them. If only for the visuals.

In fact, I bet a bunch of people are buying them and not even colouring because they look so good! For quilters and other surface pattern lovers this is a boon for us probably more than anyone. We get another way to enjoy the design sensibilities of our favourite artists. 

Mark Cesarik is once such artist. He's designed some lovely fabric on top of having the cutest baby. I've enjoyed working with Mark in the past so I was happy to share his new colouring book when he asked.

Not all colouring books are created equal. Some are quite detailed, requiring super sharp pencil crayons or fine tip markers. Not to mention the patience of Job to colour them in! Many are designed around a theme - gardens, cities, mandalas, architecture styles. You name it, you can find it.

Two things I particularly like about The Super Awesome Coloring Book are, one, the varied imagery. There is no theme, just fun drawings. Some are in repeat, some are not. (The first page I went to was the mid mod chairs, of course.) And two, that the sheets are single sided. It's a small thing, but especially when you are colouring with markers that is a really nice feature.

Jenean Morrison, another wonderful artist with fabric, actually published the book. She's published her own, but is now licensing designers.

This colouring book trend has already lasted longer than I expected it to. Now that I've had some moments to sit quietly I get it. Plus, colour!

Aloha Kakou - a Tropical Version of Vintage Spin

Aloha Kakou 

52'' x 52''

A precious gift, finally delivered. I feel that way about so many things with this quilt and the reason behind it.



This is the baby boy of a dear friend. A woman who started out simply as a roommate in a creepy rental. That was 16 years ago and we're still friends, still laughing, still rolling our eyes at each other, still slightly wondering just how we got to where we are. Back in January baby S joined her life, our lives. Crazy munchkin.

When she was pregnant she chose to keep the baby's gender a surprise until birth. I love when people do that still, even if it does present an extra challenge to making a quilt. Then again, who says fabric has to live up to gender norms?!

My fabric selections started with some treats she brought me back from a trip to Hawaii a couple of years ago. I must admit, when she brought the fabrics I hesitated. Batiks and prints best suited to a middle aged man's Hawaiian shirt. But cut up? Perfect! I combined them with various prints and even batiks from my stash. Some of Malka Dubrawsky's original batiks, a Yoshiko Jinjenzi print, screen prints from Karen Lewis, as many organic prints as I had from Daisy Janie, Birch, and Cloud 9 (including the Lisa Congdon print for the centre squares), an old Denyse Schmidt, and quite a few more. It is an eclectic mix and totally perfect.

The pattern is Vintage Spin from Kathy Doughty of Material Obsession fame. It comes from her book, Adding Layers. It was the perfect choice to showcase the fabrics yet still benefit from the crazy combinations I put together. It does use a template to cut the fabric, and there are big scraps leftover after piecing. But I've gathered those and maybe they will turn into something else? The one change I did make was the use a square for the centre of the block, instead of a circle. A conversation with Rachel at 2nd Avenue Studio led me to try it and it works so well!

It thrills me to finally present this to my friend. I made it big enough to grow with S and for the two of them to snuggle together.

Cirrus Solids at Play

It is a very good day when new fabric arrives. It is especially good when that fabric is the new organic solid range from Cloud 9 Fabrics.

When Cloud 9 contacted me and asked me if I wanted a bundle to play with I totally hesitated. With so many quilts under construction I didn't exactly need more fabric, nor the obligation to make something. But I was intensely curious and I've always been quite impressed with Cloud 9's fabrics. At worst, I thought, I can add them to my Solid Sunday Morning.

Then the fabrics arrived. What glorious colours. Some great greys and neutrals and those deep blues and turquoises. I was smitten. And I had an idea percolating in my head after teaching a Values class in September. The only thing that stopped me from cutting into them right away was my trip to Alabama.

As soon as I could, though, I started sorting piles. Lights and darks, darks and lights, darks and lights and medium. I used the black and white feature on the camera to really get a good handle on the distinctions. My plan was based on the Pinwheel quilt from A Month of Sundays, with a twist. Value distinctions were going to be very important. Instead of the big swath of white triangles as in the original, I wanted more pieced HSTs. But if those didn't look different than the pinwheel section the design would be lost.

In the end, I made all my half square triangle blocks based on the piles above. Just random HSTs. Some with light/dark, most with dark/dark. I grabbed whatever came next and didn't worry at all about the combinations other than my values.

And, it didn't work. There were just too many medium values muddying things up. If I had kept them out it might have worked. The quilt would have been small in that case and that's just not how I work. I'm going to keep the concept out there and maybe play with it again at some point over the winter.

For now, however, it is still fall. A glorious fall. And in the last few days I played with all my HST blocks made for the original idea. The pinwheel concept stayed, but it looks radically different. I shared a few layout options via Instagram and received some great feedback. My initial pinwheels were the typical four patch pinwheel block, but that smart lady Victoria Gertenbach suggested some scale changes. I tried it and it was perfect. Thanks Victoria!

The Cirrus Solids were great to work with. They frayed no more than any other solid, which was nice. The hand on them is amazing! So soft cut right from the bolt. This quilt is going to be a dream to cuddle with when it is all done.

Right now Cirrus Solids are available in these 21 colours. All are cross-weaves, which means it is two different colour threads that make up the fabric. But they aren't obvious cross weaves like the kinds where two very different colours are used. Subtle, but the texture of a cross weave is definitely there.

I do not know what Cloud 9's plans are for these, but I hope they take off at Quilt Market so that more colours arrive. Personally, I would love to see oranges, more lemony/buttery yellows, and grassy/minty greens. Solids aren't generally my thing, but I can definitely see these becoming a go-to source for me.

Abstract Painting with Kids

While many of my American friends are seeing the end of summer, and the return to school for their kids, we've still got 3 more weeks of summer vacation. I've been trying to make the most of it. For both myself and the kids. Field trips, swimming, lazy days, and new creative activities.

Last week we started abstract painting. To be fair, I think the kids have been doing this for a while! But this time we did a bit of research on abstract painting, discussed emotions and their expression, and I used real, ADULT acrylic paints on canvas. Having fancy supplies goes a long way.

To start with, the girls picked colours to express an emotion. Our first emotion was happy. Yellows, oranges, red, pink, turquoise, and silver. Bright, shiny colours. My only bit of control over the project was that I doled out the colours on the canvas. So I dotted it where they told me. Then they went to town.

They ground the paint into the canvas, they gingerly spread the paint, they used broad strokes. They played. And I resisted - badly - all attempts to direct their activities. That was very, very difficult. In part I wanted to participate. I also wanted to interrupt and give directions constantly. But I held off and only spoke when adding more paint or to emphasize the emotion they were conveying.

They filled the canvas, making sure no white spots remained. They touched it up with silver. And then, because they didn't quite get the notion of abstract, they added some lettering.

You know what? They were happy doing it. And I was happy watching them. It was a new form of creativity in this house. I think my oldest, especially, loved the idea of expressing something without having to be literal in her art. Because when you are 8 you are usually literal. This gave her an unexpected freedom.

The whole idea for the project came through Pinterest. Yes, I've finally joined Pinterest. And lo and behold, I saw this idea on a random pin one of the first days I was on there. No instructions, just the image of the paint dots, painting, and the canvas. Because Pinterest is still new for me I actually acted  on the inspiration!

To start with we looked up some abstract painters, classic and current. Like Kandisky, Lisa Congdon, and Marissa Anne from Creative Thursday. We talked about what one can do with just paint and about expressing feelings or ideas. It all felt rather liberating.

We've since done more canvases. (A friend of mine gave me the tip that we could buy small canvases at the dollar store. That certainly cuts down on the cost once we invested in the paints.) I still police the paint use as a certain Evil Genius has a tendency to want to use ALL the paint. I do not, however, paint myself with them. I find my kids compare my work with theirs and I don't think that is fair to them at all. They skip the adult versus kid part of that and get deflated because they perceive mine as better. So I let them be and wander around their own creativity.

If you are on Pinterest, you can follow me. I am trying to fill my boards with all sorts of inspiration. More pins daily. And let me know if you are on there too.

Playground

Playground

78'' by 62.5''

Finally, I can share this quilt with you. A year ago one of our awesome preschool teachers retired. She is a quilter and I offered to make a quilt for her. Alas, the Preschool Board had other plans. But a few months later they took me up on my offer after the other preschool teacher announced her retirement. She was presented with the quilt at the end of year party last week.

This quilt contains 120 signature blocks from present and former students. A simple layout, reminiscent of Plain Spoken by Weeks Ringle and Bill Kerr, is rounded out with Modern Solids II from Alissa Haight Carlton. The quilting is a very simple grid, 1/4'' from each seam line. I went with a white Aurifil thread so as not to take away from all the colourful signatures.

To get all the signatures we held two open houses at the preschool. Mailouts went to the local elementary, junior high, and high schools. Notices sent to the current preschool students. I spent some time cutting down Kona white into two sizes of rectangles. My girls helped me gather the fabric markers. Kids showed up, teenagers arrived, parents exclaimed.

To be honest, I'd seen previous teacher's gifts and wondered why people went to all that effort of making them a quilt. Sure, I've given many, many quilts as gifts and I know the value of the gift - to give and receive. But I couldn't fathom getting that excited by a signature quilt.

Was I ever wrong!

Let me tell you, it was actually pretty fun to do this! Seeing all the kids so excited to contribute, talking to the parents thrilled at being able to say thank-you for a good start to their kid's education, and getting pretty jazzed when putting the final quilt together. Not once did it feel like drudgery or did I ask myself what I got myself into. And I'm thrilled at the final result. I think our teacher is as well.

(And who could resist a buggy backing fabric? It was the perfect choice to remind us all of the mosquitoes keeping us company at the park after school everyday. Except these ones don't bite!)

Klee's Trees by Malka Dubrawsky

Only about half the time do I like to do such precision piecing. I have to be in the mood for it. But every time I do it I get pretty excited by the results. Templates or paper piecing or just really good cutting, they all work. So when Malka Dubrawsky asked me to check out her her latest pattern and share it here I couldn't resist. 

In her words:

A while back I traveled to Switzerland and saw so many amazing things, but not the Bern Bears. Rather, I opted to visit the Klee Museum and view an extensive array of work by the artist, Paul Klee. I was especially struck by his drawings of trees. They were simple, stylized and abstracted. 

I came home knowing I wanted to translate those drawings into a quilt pattern and, after several attempts, came upon a block design that I feel captures the essence of Klee’s trees. 

This simple-to-piece block is graphic and clean and has a decidedly modern feel. Craft it in solids against a dark or light background or play with warm and cool colored prints to differentiate the “trees” from the “forest”.

It is a graphic pattern, that gives finishes to a rather cool quilt. Malka provides layout for a pillow and a quilt in the pattern. But you could easily change the size of the quilt but adding or removing blocks.

I made my block in about 30 minutes, but that was 30 minutes of supervising and providing snacks for 2 kindergarteners. And sewing upstairs to watch them play, but still cutting and pressing in my basement studio. Not very efficient!

It is wonderful for me to support quilting friends like this. Malka and I have only had a couple of brief conversations in real life. We live in totally different worlds - oh her heat of Texas. But we bond over swimming and colour. And I really credit her with my low-volume obsession. She was the first person to use the term and share examples, as far as I can tell. Make sure you check out her blog too, always full of her glorious colour and pattern.

The pattern is available in Malka's store, pick it up here.

Malka has very generously offered to give away two copies of the pattern to readers here. 

If you'd like a chance to win a pattern, leave a comment - make sure I can respond to you. Tell me your favourite colour, your favourite artist, whether you've ever been to Switzerland, or even what you had for breakfast! 

Giveaway open until May 14,  6:00 pm MST.

Talking Low Volume with Alex Anderson

)

Here is the second part of my interview with Alex Anderson. This time we are chatting all about low volume fabric.

Thank you so much Alex for the great conversation!

See Part 1 here.

New Tool

It was time to start a new sketchbook. For a change - and because my girls have used up my special markers for sketching - I broke out the Prismacolors. I adore the perfection of them before they've been used and shortened and sharpened. Using special fabric? No problem! Using new pencil crayons? So hard to do.

Now, I wonder how long I can keep the kids away from these?

Friday Favourite - Coral

Somewhere between pink and orange lies the color coral. Sometimes bright, reminiscent of the dream coral of the ocean. Sometimes soft and not quite peachy. Whatever you do, don't call it salmon.

I'm on a coral kick lately - picking, gathering, and hoarding my new love. From light to dark, soft to bright, coral makes my heart sing. Dreams of swimming in the sunshine of the sea carry forward. Blooms that capture the central part of the sun's rays. Or just the tempting blush of a smile.

Coral.

(Don't be surprised if you see some coral added to these blocks.)

Portland

I went to Quilt Market last weekend and took precisely 7 pictures inside the trade show. But I did take a lot during my wanderings around Portland and teaching at Modern Domestic. Two reasons, I was feeling very reflective while there (oh, that work/life balance thing) and I met with Susan the first night and she clearly rubbed off on me.

Necklace Inspired Fabric Pull

One of the most exciting parts of quilting for me is the fabric play. It is one of the excuses I maintain for having a ridiculously large stash - shopping at home. It really is lovely to be able to just open the closet, rummage through my bins and bins of fabric, and come up with something pretty to play with.

Here I am playing with fabric from the latest inspiration. This quilt is for a deadline, so once I found my inspiration I dove right in! Above is the initial fabric pull.

Below is the final fabric pull. I decided to edit out the fabrics to reflect the inspiration necklace in direct proportion. It remains to be seen which fabrics actually end up in the final quilt, I'm not sure I have enough of each of these for the planned pattern. We'll just have to see!

New Inspiration

With a million projects on the go I felt the need to start a new one. I bought this necklace in Austin, at this awesome store selling only products from Texas artisans called Parts and Labor. Oddly, this necklace came with no info. It didn't stop me from buying it. And it's become the jumping off point for a new quilt. Also oddly, I had the sketch and pattern written before I'd picked fabric.

Seriously, what's happening to me?

Oh Canada

Oh Canada

72" by 48"

The Maple Leaf quilt is finally done! (Sorry, it's been done for months but it took me forever to get photos I liked.)

Made in complete proportion to the real Maple Leaf Canadian flag. All the coloured sections are made from slabs - scraps pieced together to make fabric. The technique is in our book, Sunday Morning Quilts. I wanted to show that the slabs can be used for more than straight blocks. I also wanted to share a little patriotism to show the Brits that the Union Jack isn't the only flag worth making into a quilt.

How awesomely Canadian of me to snap the photos on Lake Louise as we skated on a snowy days. Hockey skates, fires, mountain, snow... Damn, I love where I live!

Seriously, I do love where I live. Even when I have to pay my taxes and deal with dumb politicians (but those are everywhere, right?). I love our spaces, our vistas, our social leanings, our multi-culturalism, our healthcare (even when flawed), our cities, our variety in everything. I even love my accent. And that's PROgress if you know me.

For the quilting on this I used a combination of Aurifil 50w in white - to densely quilt the white sections with a lot of texture - and Presencia in coordinating colours for each flag section. There were a lot of threads to bury at the end, but it was so worth it.

I will be developing this into a pattern, I promise. Hopefully before Canada Day. I'll keep you posted.

Wine Gums

Winegums

40'' by 55''

Look, I finished something!

This is my version of Amanda's quilt from our book, Sunday Morning Quilts. Such a fun piece. Little scraps, some raw edge appliqué, and really casual quilting. And look at that Washi fabric from Rashida on the back! Because of that I went with a grey and white dotty binding, instead of a harsher contrast with black and white.

I started this quilt off on the wrong foot, when I didn't read Amanda's actual pattern in the book. That left me to come up with a different way to stabilize my little pieces. It wasn't a big deal and I'd happily use glue again. But I did follow her directions for quilting the piece. One straight stitch underneath each row to keep it all in place and make the rest of the quilting easier. Then free motion stitching following each arc - over, back, and over again. If you don't love little frayed edges after washing then this might be a challenge to your sensibilities, but it is worth it. Think of it as another layer of texture.

Pre-washing above, post-washing below.

There is a part of me that wishes I had made it bigger, like my original plan. That will just have to be another quilt. I'm sure I'll have scraps enough!

Considering that I never made my son a baby quilt I think he may lay claim on this one, if he ever stops his commando crawl long enough to savour it.

(PS Sorry about those top two photos, they get all blurry when I put them here... working on it.)